A counterpart of sorts to vocalist Keijo Niinimaas older group Rotten Sound, MORBID EVILS have become known for exploring slower tempos and the lower end of the sonic spectrum, all topped with a fascination with the morbid realities of our hopeless existence. Having so far survived touring with Voivod and the impending global eco-catastrophe, Morbid Evils spent the best part of 2016 hidden in sweaty underground conditions perfecting their craft, working on the follow-up to their 2015 album “In Hate With The Burning World”
The band emerges from the pit with a paean to death, split in six sections, each examining the subject from various positions. Titled “Deceases”, the album takes a bold leap from their sludge-death metalish origins and towards a more original, minimalist approach. The air hangs heavy as droning, buzzing walls of downtuned guitars grind against punishingly pummeling drums in slow motion and everything around us seems to be another step closer to death. While wallowing in the unpleasantries of life Morbid Evils manage to churn out something wholly original in the congested sludge metal genre – if a grind/drone hybrid existed, it might sound like this. With their downtuned slo-mo aesthetics, nasty black metal-ish buzzsaw guitar harmonies and a drone metal-like sense of space in music, Morbid Evils are on a path of their own.